Jack Tempchin is the writer or co-writer of dozens of familiar classic rock songs, including many of The Eagles flagship hits like “Peaceful Easy Feeling” and “Already Gone.” That foray would lead to a decades-long songwriting partnership with vocalist Glenn Frey, and he co-wrote many of Frey’s most massive hits like “You Belong to the City” that was written for Miami Vice and peaked number two on the U.S. Billboard Hot 100 chart. His composition “Slow Dancing,” his favorite, was covered by many artists including Olivia Newton-John, and it peaked in the Top 10 on the Billboard Hot 100 chart with a cover by Johnny Rivers. The Songwriter Hall-of-Famer chatted with CULTURE about how songs are formed, the music industry and how cannabis can be a creative tool.
How did it feel to be inducted into the Songwriters Hall of Fame in 2019, the same year as Cat Stevens, John Prine and other songwriters?
It’s been really great. Everybody makes a list: What am I going to do today? What am I going to do this year? What are my life goals? Being in the Songwriters Hall of Fame was never in any of my lists. It didn’t occur to me. But it’s been a big boost getting in there. This is who I am, I suppose. All the crazy things that I did in my life went into these songs.
When you were in the middle of writing “Slow Dancing,” did you know deep down that it was going to be a huge hit?
After I’d written it, I played it for some people, and I could feel it when I played it myself. I thought maybe it was a hit. I feel that I really hit the nail on the head. At the time that I wrote the song, I was falling in love with the person that I’m still with. Other songs like “Peaceful Easy Feeling”—I had no idea that could ever be any kind of a hit song.
What began your long partnership with The Eagles?
About five years before The Eagles existed, Glenn Frey and JD Souther formed a duo called Longbranch Pennywhistle. They had some gigs in San Diego. So when I met them in San Diego, I asked them to stay at my house, which was a large hippie pad with five bedrooms and a candle shop in the garage. They stayed with me, and we became really good friends. My joke is if you want to get into music, just meet a superstar about five years before he gets famous.
When Glenn Fry, Don Henley and the others went their separate ways to establish their solo careers, what was your reaction?
Well it worked out for me because Glenn said, “Let’s get together and write some songs.” We’ve been really good friends. He had recorded a couple of my songs with The Eagles, but we had never written a song together at that point. That started a 14-year career of me writing songs with Glenn for all of his albums. It was incredible because my friend turned out to be one of the greatest writers of our time. As far as The Eagles, I was never in favor of them breaking up. I always felt like if they get back together, that will be great.
“We thought [cannabis legalization] would happen so much quicker. It took 50 years from the time I started smoking until the time it happened. It’s still not legal. It’s not federally legal, anyways.”
When Glenn Frey passed away, did it feel like a void was left there?
It was tough because we’d been friends for 47 years. I was sitting on the cliff above the ocean, where I go to write songs. I wrote a song about him called “Never Had the Chance to Say Goodbye.” Everybody has people that they lose. It was just so great to have gotten to know him.
Your music has crossed over from rock ‘n’ roll into the country industry. How do the industries compare?
They’ve always been totally different. In the early days, country was one-tenth of the sales as rock. So when you went to do a show in Nashville, they expected you to record it and mix it in one day like a factory, whereas in rock ‘n’ roll, you’d show up to the studio three hours late and spend two days recording—until SoundScan came on. Then overnight, people realized the actual record sales were different than what was being put on.
What comes to you first, the lyrics or the melody?
Usually it’s the idea that comes first. You have an idea for a song. Then you think of the title and the music comes with it and you put it all together. The idea—to me—comes first.
Have you ever used cannabis as a creative tool when writing songs?
Well yeah. Not so much intentionally, but most of the time, for a period of maybe 40 or 50 years I was high for a good percentage of the time. I would write songs when I was high, and then I would write songs when I was not high. I didn’t, however, have to be high in order to be able to write songs. Pot [has] been my friend.
Tell us about your line of wine from South Coast Winery.
I had trademarked the name “Peaceful Easy Feeling” for wine, and I found the South Coast Winery. They are an award-winning wine brand out of Temecula. They put my name on it, and my wife did the artwork for the label. Right now, I’m looking for an established marijuana producer with a high quality product that is interested in using the name “Peaceful Easy Feeling.” I have a song, and it’s called “I Want Everybody to Light a Joint.”
I rambled down the rainbow road to the Promised Land.
A peace sign necklace and a joint burning in hand.
They said, “Hey Longhair, you look like a girl.”
I said, “I’m getting free love and changing the world.”
I want everybody to light a joint.
Are you surprised by cannabis legalization?
We thought [cannabis legalization] would happen so much quicker. It took 50 years from the time I started smoking until the time it happened. It’s still not legal. It’s not federally legal, anyways. Why was it illegal in the first place? A mysterious question indeed. None of the reasons make any sense. It’s strange that it took this long.
So what’s next?
I have a new album I just made with Gary Nicholson producing. He’s won two Grammys for producing. I used a lot of famous musicians. I think it’s my best album and it’s got a few Glenn Frey songs that I co-wrote with him, one of which no one’s ever heard, [called] “One More Time With Feeling.” I’m pretty excited because I sent two of the songs to Jimmy Buffett’s label, and he heard them personally. He signed me on to Jimmy Buffett’s Mailboat Records. He’s probably having a “Coral Reefer” right now.
Kevin Smith is undoubtedly Jason Mewes’ true partner-in-crime, and the two have remained friends through thick and thin—both on and off the screen. Smith’s more recent film, Jay and Silent Bob Reboot, was released theatrically in the United States on Oct. 15, and he is currently working on the upcoming comedy horror anthology Killroy Was Here and writing the script for Clerks III, which he hopes to release soon. In addition, Smith is working on his Netflix original animated series Masters of the Universe: Revelation, a reboot of the classic 1983 TV show.
Anyone who is familiar with the View Askewniverse knows that Smith adores the leafy green plant. Smith and Mewes recently collaborated with Caviar Gold’s Mike Brunson to create three strains: Snoogans, Snoochie Boochies and Berzerker. The strains are infused with 95 percent pure organic THC distillate and are rolled in kief for a product that resembles moon rocks. The strains are sold in pre-rolls or in 3.5 gram jars.
CULTURE recently snagged Smith at Herbarium, one of his personal favorite dispensaries in West Hollywood, California. In the wake of the nationwide vaping scare, Smith provided some insight about his thoughts on the epidemic, as entrepreneurship within the cannabis industry often overlaps with the vaping industry.
“Well what happened is the government said a couple days ago that ‘we’re taking vaping off the market’ and a lot of states are dropping it instantly like a hot rock, in such a way,” Smith explained. “There have been six to 10 deaths—which are heartbreaking—but the way they were like ‘we’ve got to get rid of this instantly,’ you’d think they know something that we don’t. Like that vaping causes vampirism or makes you turn into a werewolf. But instead they called it a public health hazard.”
“The only question that I have is, and I’m not a vaper myself, is that 10 people have died from vaping,” Smith added. “But how many people died from smoking a cigarette yesterday? Where’s the public crisis for this? It just makes no sense.” Since speaking with Smith, there have been more incidents totally to a several dozen total vaping-related lung illness deaths—but as he said, it pales in comparison to cigarette deaths. According to The Centers for Disease Control and Prevention, cigarette smoking is responsible for 1,300 deaths per day worldwide. The real crisis, he explained, would be better suited to focus on the prevalence of cigarettes or one of the many deadly substances such as alcohol or opioids.
“. . . Ten people have died from vaping. But how many people died from smoking a cigarette yesterday? Where’s the public crisis for this? It just makes no sense.”
Smith has ventured into the cannabis industry multiple times before. Los Angeles, California-based Bud & Roses, for instance, sold two strains several years ago that were named after Smith’s outrageous comedy-horror film Tusk. His latest foray into the industry likely won’t be his last.
The Cocktail Whisperer
Photo courtesy Warren Bobrow.
It’s once again the season to be merry, and for a lot of adults, that means more cocktails at holiday parties and family gatherings. But some people would rather light up around the Christmas tree than drink alcohol and be subject to the inevitable after-effects. Those folks are in luck, because Warren Bobrow, a cannabis cocktail master, is here to make that tradition a thing of the past.
Bobrow has used his unmatched cannabis mixology know-how to write a book on the craft called Cannabis Cocktails, Mocktails & Tonics: The Art of Spirited Drinks and Buzz-Worthy Libations. He’s also a master menu-creator when it comes to infusions with cannabis. CULTURE chatted with the “Cocktail Whisperer” about how to keep things merry and bright this season with a little bit of liquid cheer.
How did you first get interested in mixology, specifically with cannabis?
I had experimented with mixing cannabis with craft spirits after visiting New Orleans during Tales of the Cocktail in 2016. I had scheduled a book signing at the Pharmacy Museum for my third book of six, Bitters and Shrub Syrup Cocktails.
At the same time, the museum was holding an exhibit on cannabis in the early apothecary. My dream was hatched! As a master mixologist and cannabis smoker since the tender age of 12 and the eldest grandson of the owner/manufacturer of Geritol, my inspiration was at hand with several books on healing measures, such as my first book, Apothecary Cocktails. The only ingredient missing in that early cocktail book (2013) was cannabis. In the early apothecary, cannabis was probably the only ingredient that actually did anything!
What about cannabis cocktails do you think invites creativity and experimenting?
The feeling of the crossfade is the most intriguing thing. You just don’t get that euphoric feeling from CBD; that’s why I hardly work with it. I like the feeling that I get from THC. And I believe for the entourage effect to be most pronounced, you need THC and CBD—not just CBD. It’s a balance. Like life itself.
Tell us about your writing career—how did you start writing?
I was initially a trained chef from dish sink on up. I have an incredibly deep knowledge of food journalism and writing. Clementine Paddleford was an early inspiration, as was Penelope Casas. I’ve always been comfortable writing in blogs, but never in the “real world.”
After losing my fresh pasta business in hurricane Hugo in 1989, I was forced by necessity to pay off my loans by working in a series of private banks for 20 years, all the while nurturing a career working in wine and spirits on my days off and as a private chef. But it was not fulfilling. I needed to write, but I didn’t know how.
I ended up taking some food writing classes, one at the New School with Andy Smith and the other at the then French Culinary Institute for Alan Richman. Alan said I would be making a big mistake by going back into banking. He was right!
How did you first start using cannabis, and how did it influence your life and creative process?
I was at a good old Grateful Dead show in 1972 at Roosevelt Stadium in Jersey City, New Jersey. The cannabis may or may not have actually been cannabis. It might have been gerbil droppings for all I knew. But there was something in there that made me more relaxed than I had ever been. Our plant brought me relief of the pain of being Warren. It helped me focus and drill down into my own history.
What is your favorite strain or product, and what’s your favorite cannabis cocktail?
My favorite cannabis cocktail is the Mezzrole Cocktail, named for Mezz Mezzrow, a jazz-era musician, who not-so-coincidently was Louis Armstrong’s weed dealer in the ’20s and ’30s. A particularly well-rolled cannabis joint was known by the “Hep Cats” as a Mezzrole. A joint or a reefer might get you arrested if you asked the wrong person for one, like a policeman. But a Mezzrole was the hip codeword for reefer in the Jazz Era.
“You just don’t get that euphoric feeling from CBD; that’s why I hardly work with it. I like the feeling that I get from THC. And I believe for the entourage effect to be most pronounced, you need THC and CBD—not just CBD. It’s a balance. Like life itself.”
What do you think the world of legalization will look like in five or 10 years? Do you think ordering a cannabis cocktail in a bar will ever become the norm?
I hope that the stigma dissipates somewhat along with legalization as it spreads around the country. Unfortunately, there are many preconceived notions about cannabis cocktails. Most importantly, “Will I get destroyed?”
That is a real possibility, but I suggest taking the Thai food approach. Never would you go to a Thai restaurant for the first time and order your food five star, Thai Hot. It’s just not done; you’d be destroyed! Cannabis cocktails are the same. You want to start really slowly. They hit pretty fast, so less is definitely more. You can always add, never subtract.
But should you take too much, some CBD or a combination of peppercorns and lemon juice work just fine. Don’t be like those folks on VICELAND Live (I made them a THC/CBD cocktail with Barrell Bourbon and oven-caramelized blood orange juice) who had way more than one per hour. Each drink was at least 100 milligrams of THC . . . They had several in the first 15 minutes or so . . . and then they went out on live TV. It was memorable.
Is there anything specific you want to announce, focus on, or highlight right now?
I’m doing a mocktail for TSO Sonoma in December, and I’m releasing a live-resin, ready-to-drink mocktail into the market shortly in California. Stay tuned! It’s unlike anything available with an onset time of just a few short minutes, and it’s delicious. My tried-and-true recipes. I’m always focusing on the sales of my book, Cannabis Cocktails, Mocktails and Tonics. It’s available on Amazon, Barnes/Noble, Indigo Books in Canada and most indie bookstores globally.
Is there anything else you’d like to add?
Don’t be afraid of cannabis cocktails. They were making them over 100 years ago in pharmacies. They work for me with my glaucoma, and I hope they offer a non-confrontational approach to “taking your medicine.” At least no one would know that your Vietnamese iced coffee had both THC-infused, condensed milk and Rhum Agricole from Martinique in it.
It’s no secret that cannabis and creativity are a beautiful marriage, as many studies and anecdotal reports have suggested a correlation between the two. Artists, writers, musicians and other creators have been harnessing cannabis to tap into inspiration for their crafts. But now, with the advent of legal cannabis in many states, it’s finally possible for these creators to organize, assemble and combine cannabis and art creation with their local community.
Enter Denver, Colorado’s Lit on Lit, a unique artistic outlet where writers can combine the creative practice of writing with cannabis consumption. “Lit on Lit was started when the Suspect Press team paired up with Colorado Cannabis Tours and Puff, Pass & Paint,” said Amanda E.K., editor of Suspect Press in Denver and Lit On Lit teacher. Lit on Lit became a space where writers can combine their love of cannabis and the creative process, but still run ideas by each other instead of writing only in the comfort of their own homes. There, students can combine consumption with writing exercises to discuss and share ideas.
“As a writer, I’ve been using cannabis for years to aid in my creative focus and imagination expansion,” explained E.K. “I teach a weekly, drop-in writing class […] sans cannabis, and I wanted to explore the Lit on Lit class again with the combination of weed, which can be especially fun in a group setting where most people have never met before. Given the right ambiance (with my specially crafted Lit on Lit playlist as background music) and open-ended prompts for any level writer, the class can be a cathartic way to reawaken your right brain and boost your confidence in your abilities as a storyteller.”
Even more popular is combining cannabis with the process of visual art. Whether you’re a renowned artist or just dabbling for fun, anyone can try out a Puff, Pass & Paint class. The organization is currently active in 10 cities around the country in California, Colorado, Washington D.C., Massachusetts, New York, Missouri and Illinois.
The cannabis-friendly art classes provided by Puff, Pass & Paint provide as much or as little instruction as students want. Students may choose to follow along with the instructor or completely branch off and explore their own creativity if they’re already experienced artists. Classes are all BYOC, or bring your own cannabis, and consumption and imagination are both highly encouraged.
“Creativity requires thinking outside of the box, letting your mind wander with confidence and wonder. I think that consuming cannabis helps to create that sort of open-minded environment.”
All the Puff, Pass & Paint instructors are local artists who come up with their own special classes as diverse and cooking, karate, pottery and nude art. As long as it fits under the artistic umbrella, it can be turned into a cannabis-friendly class.
“I think cannabis helps people enjoy the present moment and removes their fears of being ‘bad’ at being creative,” explained Heidi Keyes, president and founder of Puff, Pass & Paint. “A lot of our students haven’t made any sort of art since they were in grade school, so they’re worried about looking silly or failing. Puff, Pass & Paint is not about that. It’s about feeling free to be creative and also being free to consume our favorite plant, legally, in a safe space with other people who want to do the same thing. Cannabis has always helped me with my anxiety and also to dig into my own creativity, and I started Puff, Pass & Paint to help share that with other people.”
The class is set up for people who are at all levels of comfortability with both creating art and consuming cannabis. The idea is to focus as much or as little on the art as you want, while imbibing cannabis at your own pace. “Cannabis and artistic expression go hand-in-hand,” Keyes added. “Creativity requires thinking outside of the box, letting your mind wander with confidence and wonder. I think that consuming cannabis helps to create that sort of open-minded environment.”
So, next time you’re working on a story, painting, or doing another creative endeavor with the help of cannabis, get out there and find your community. There are folks waiting to hang out, smoke out and get creative.
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